Graftwerk

I haven’t said much about how work on the album is going, so here’s a bit more about it.

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I’ve been working on the tracks for my debut album for a long time already; some of them have been floating around for a couple of years in one form or another. Originally, I thought I’d be final-mixing through the summer after college finished, but I really needed some time out, so finishing the album fell down the priority list for a while.

Then I had a conversation with a friend, Matt Steady, who has recently left his job to pursue a career in musicianship. “You need a project,” said Matt. “I’ve already got one, but I need to finish it,” was my reply. Matt offered to listen to my tracks and give his opinion. Around the same time, I was asked if I would play a gig in the not too distant future in another city. It turned out that these two things were the carrot and stick that I needed to get going again with the album.

Just over a week ago, after some further tweaking, I sent Matt a set of ten tracks, inviting him to be as brutal as he liked. He gave very positive, constructive feedback, and didn’t tell me to drop any of the tracks from this release. (I’d feared he might).

It’s been all systems go since then. As well as organising business cards to hand out at the gig and continuing to code graphics that can be projected onto a wall during the performance, I’ve been working on refining the mixes, working out the track order, choosing the title (Sleepwalker), designing cover art for the online store and trying to figure out what I’ve missed. There’s a growing to do list.

The most challenging part has been that the whole mixing process relies on your ears being ‘fresh’ and therefore you can’t rush it. At some point during a work session, your ears start to get tired and then start playing tricks on you. Things that you thought were loud enough sound too quiet. Your sense of the overall volume of the piece gets disorientated. This adds extra pressure when you’re working to a fairly tight deadline.

Nonetheless, the aim is to get everything mastered and uploaded this coming week – the sooner the better – with a view to releasing the album before the end of November. More hard graft, but it will be worth it. And next time around, the process will be easier. There will be a next time.

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