I can’t believe it’s Friday already (yeah, I know I keep saying that, but seriously, they go really lightning-fast at the moment).

So, in place of my cancelled Tune-A-Day June, I went for an 8 Day Sync Songwriting Challenge, organised by one of the agencies that deals directly with the film, TV and advertising industries, Catch the Moon Music, based in Los Angeles. Getting my work placed in visual media has been very much on my radar for a while, and it’s only a few days since I did a very useful seminar by another songwriter who does a lot of this.  8 days sounds so much more doable than 30 days at the moment!

The challenge is led by Cathy Heller, who started the Catch the Moon Music agency; I’ve been following her podcast for over a year already, because I’d heard about her success getting her own songs into sync placements, so when I saw the challenge, I jumped on the opportunity.  Monday was Day 1, so we’re already half way through.

Unlike the 30 day challenge, where I was trying to get one piece of music together every day, the 8 day challenge is all about getting one song written and ready to pitch for licensing in the timeframe, including research, songwriting, arrangements, recording, mixing and mastering. (They will listen to demo quality pieces at the end, but the full scale challenge task is to get something finished that is ready to use).

It’s taken me a few days to really get into the swing of the course and overcome the unexpected niggles that come with being a whole 8 hours ahead of LA, with course instructions for the day arriving based on LA time.* Once the research phase was done, I had a pretty good idea of where I was heading, though, so I had a bit of a catch up day yesterday where I more or less finished the songwriting part and got started on production and arranging. My submission will be a somewhat upbeat song about having been close to death (yes, really!) –  so it’s new territory in a lot of ways for me. I’ve taken a lot of the inspiration for the song from what happened to Dad last year.

One of the really great things about doing the challenge is the Facebook live videos Cathy has been doing, which give an industry insider perspective and are incredibly inspiring.  Sometimes that’s in a very-gentle-kick-up-the-backside kind of way, to challenge us out of any negative mindset we may be hampering ourselves with, because it’s so easy to slip into ‘I’m not good enough’ mode as a perfectionist musician.

In other news this week, Dad & I had a useful meeting with his PhD supervisor to work out how we go forward, as he is coming to the end of his leave of absence, and I’ve been preparing for him to come and stay for a week as soon as the songwriting challenge is finished. Plus, the Sleepwalker CDs I designed a couple of weeks back have arrived (and been checked) along with my first batch of Survival CDs, in time for my gig at Lincoln’s Sonophilia Festival on 14th October.

Next week, when Dad and I aren’t attacking a few of the smaller jobs that need doing around the house, I’ll be getting my Sonophilia gig ready. Plus, I have to finish the 8 day challenge and readjust my body-clock to UK time! But before that, the challenge’s ‘Monday evening’ live feedback session starts 2am on Tuesday for me. That’s the scary and important session where they tell you what they thought of your song, if you’re one of the lucky ones that get feedback, so it’s worth showing up for if I possibly can.

 

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