Happy New Year!

I’ve got off to a bit of a false start to the New Year. Having first got ill between Christmas and New Year, then recovered, I went down properly with whatever nasty virus it was a couple of days after the obligatory late night party with good friends and board games. (I knew something wasn’t quite right when I needed coffee at 11pm to stay awake to see the new year in & get home safely). Apparently there’s a lot of sickness about at the moment – hopefully you’ve avoided it!

False start aside, next week it’s going to be all systems go, with another Sync Songwriting Challenge – this time only 5 days long. If we are producing full tracks in that time, it will be tougher than last time, when we had 8 days, but very rewarding. I’m really looking forward to getting stuck in.

The last few weeks have been a time to reflect on the ‘wins’ of 2018, and to consider goals for the new year. Obviously, releasing Survival was a major win – even though it feels like much longer than a year ago, it was only last May. I’ve been pleased with how well some of my songs from the album have been received, and with the feedback for Death Blinked First, the new single I put out in October.

The other big musical win for me has been working on my keyboard playing to try to become more proficient, which will give me more options for live performance. (It should also help with recording). I’m not yet at a stage where I would feel confident playing keys in front of an audience, but that is where I want to get to in the next few months – I’ve been using material I pre-prepared so far. I have wanted to be able to play ‘properly’ since I was about 10 years old, and I haven’t ever really cracked it. Earlier attempts have been with a classical approach, learning each hand separately then trying to make them work together, which is where things usually fell apart. This time, I’m approaching it as the guitarist that I am and making it all about the chords, working two-handed from the start to work on songs I already know. The songbooks are the same ones I used when I was learning guitar chords, which show the chord names over the piano part. There has been definite progress! I don’t have any plans to be able to play classical pieces, though. Just to be able to accompany singing with the right chords and improvise around that when the feeling takes me (without hitting any obviously bum notes) would make me very happy. If this approach helps me get to where I can sight-read some easier pieces, even better.

Before the drive to improve on keyboard got started, I took up playing mandolin in about mid October. I’ve had the instrument several years since a friend was cutting back on their collection and I couldn’t resist increasing mine. I had never quite got my head (fingers?) around it or put much time into learning the chords before. This time there’s been more of a purpose. I played this in public for the first couple of times just before Christmas, supporting my church’s service and some carol-singing outside a local supermarket. Sure, I made plenty of mistakes, especially at the open air event – my excuse is that my fingers and brain got a bit frozen. It was good fun, though, in spite of the chill, and we all warmed up afterwards with hot drinks and soup.

My next big musical win for 2018 was all the collaborations. I still have to complete various projects, but the ones that got finished relatively quickly are already out there and available to listen: my Bean Bag Remix of What Good Are the Stars by Manipulant, and synth work/song development on Durdle Door, by Matt Steady. I have a big ongoing project with some remixes for John Clark and several other smaller projects with other indie artists.

Finally, on the personal side, the big win has been the dramatic improvement in Dad’s health since he got out of hospital in February. It’s been great to see him recovering and his determination to get back to normal as far as possible. The icing on the cake was in mid-December, when the GP said he is happy Dad is fit to drive again. We still have some hurdles to jump over, but that milestone really made me feel happy.

So, that’s where things are up to… I’ll maybe post a bit more about some of my goals for 2019 soon, as it feels like there’s more to say, but this post is already a bit long. (It has been a while, after all…)

What a Week!

I can’t believe it’s Friday already (yeah, I know I keep saying that, but seriously, they go really lightning-fast at the moment).

So, in place of my cancelled Tune-A-Day June, I went for an 8 Day Sync Songwriting Challenge, organised by one of the agencies that deals directly with the film, TV and advertising industries, Catch the Moon Music, based in Los Angeles. Getting my work placed in visual media has been very much on my radar for a while, and it’s only a few days since I did a very useful seminar by another songwriter who does a lot of this.  8 days sounds so much more doable than 30 days at the moment!

The challenge is led by Cathy Heller, who started the Catch the Moon Music agency; I’ve been following her podcast for over a year already, because I’d heard about her success getting her own songs into sync placements, so when I saw the challenge, I jumped on the opportunity.  Monday was Day 1, so we’re already half way through.

Unlike the 30 day challenge, where I was trying to get one piece of music together every day, the 8 day challenge is all about getting one song written and ready to pitch for licensing in the timeframe, including research, songwriting, arrangements, recording, mixing and mastering. (They will listen to demo quality pieces at the end, but the full scale challenge task is to get something finished that is ready to use).

It’s taken me a few days to really get into the swing of the course and overcome the unexpected niggles that come with being a whole 8 hours ahead of LA, with course instructions for the day arriving based on LA time.* Once the research phase was done, I had a pretty good idea of where I was heading, though, so I had a bit of a catch up day yesterday where I more or less finished the songwriting part and got started on production and arranging. My submission will be a somewhat upbeat song about having been close to death (yes, really!) –  so it’s new territory in a lot of ways for me. I’ve taken a lot of the inspiration for the song from what happened to Dad last year.

One of the really great things about doing the challenge is the Facebook live videos Cathy has been doing, which give an industry insider perspective and are incredibly inspiring.  Sometimes that’s in a very-gentle-kick-up-the-backside kind of way, to challenge us out of any negative mindset we may be hampering ourselves with, because it’s so easy to slip into ‘I’m not good enough’ mode as a perfectionist musician.

In other news this week, Dad & I had a useful meeting with his PhD supervisor to work out how we go forward, as he is coming to the end of his leave of absence, and I’ve been preparing for him to come and stay for a week as soon as the songwriting challenge is finished. Plus, the Sleepwalker CDs I designed a couple of weeks back have arrived (and been checked) along with my first batch of Survival CDs, in time for my gig at Lincoln’s Sonophilia Festival on 14th October.

Next week, when Dad and I aren’t attacking a few of the smaller jobs that need doing around the house, I’ll be getting my Sonophilia gig ready. Plus, I have to finish the 8 day challenge and readjust my body-clock to UK time! But before that, the challenge’s ‘Monday evening’ live feedback session starts 2am on Tuesday for me. That’s the scary and important session where they tell you what they thought of your song, if you’re one of the lucky ones that get feedback, so it’s worth showing up for if I possibly can.